Exteriors at Maison Européenne de la Photographie in Paris (until 25 May 2024) expresses the ineffable experience of modern, urban life
When reading Exteriors, the physicality of Ernaux’s presence is always tangible – reading her work is like standing in the shadow of a photographer. Stoppard’s Exteriors reflects this idea, bringing together works that convey a sense of proximity through a journey, as if we are commuting alongside the author – astutely perceiving the world from her perspective. “Exteriors is really about presence,” says Stoppard.
” But the exhibition also investigates the unique relationship between writing and photography. Stoppard’s show seeks to answer the questions: can one write photographically? Or can one photograph reality in a literary, poetic way? Like the daily journey of a commuter, the exhibition ends at the place of origin. “The very last works in the show are by Johan van Der Keuken, with the final photograph simply showing train lines and tracks,” says Stoppard.
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