Tiwa Select debuts first IRL New York space, showing Megumi Shauna Arai’s ‘Moments of Fulfilment’
There can often be a jarring disconnect between the digital and in-person realms, but in the case of Tiwa Select, the online curatorial platform dedicated to craft and self-taught makers, experiencing its collection in the flesh in its first brick-and-mortar space in New York City adds a new facet to its already dynamic domain.
It is in such a setting that the self-taught Arai unveils a new body of large-scale textile works. Titled ‘Moments of Fulfillment’, the exhibition showcases Arai’s take on, the Japanese patchwork tradition of using fabric and material scraps to tell a story.
‘Megumi was the first artist I ever asked to work for Tiwa Select,’ recalls founder Alex Tieghi-Walker. ‘Because of her process, Megumi can only work at a certain pace. It isn’t like southern patchwork, where material is coupled together. The work incorporates found materials. Megumi sources all the different dyes, she’s foraging for the branches that the pieces hang from, she’s dying the thread that she embroiders with – every element of these pieces is a process.
Arai, who is of Japanese and Jewish heritage, first began working in the patchwork medium around 2016 but started to fully embrace natural dyes around 2018. ‘A lot has to do with palette and producing colour. That’s the whole first part of the process and there’s a lot of chance involved because it's unpredictable. From working with dyes for so long, I’ve now started to experiment with over-dyeing or using multiple processes so that chance still is involved.
Tiwa Select’s inaugural effort is an exciting signal of what’s to come. ‘Part of my practice is finding out about new craft techniques and artists, and I’ve never explored the East Coast,’ Tigehi-Walker concludes. ‘I’m excited to learn about new techniques and explore new materials. I think people buy differently here on the East Coast than on the West Coast. There, I deal with a lot of interior designers and architects buying for clients, [whereas] the people in New York are clients themselves.
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