Top 10 Anime Films of the 2020s So Far

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Top 10 Anime Films of the 2020s So Far
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Suzume holding her chair while standing in front of a still frame from The Boy and the Heron.

Summary Anime films reached new heights in popularity, consistent quality, and reach during the 2010s. Movies like A Silent Voice and Your Name brought wide mainstream appeal to the medium globally, while Studio Ghibli's few but masterful works enforced a standard that pushed other filmmakers to improve their work.

1 10 Maboroshi Produced by MAPPA Maboroshi is a sci-fi fantasy film following high schoolers Masamune and Mustumi, after an explosion at a steel mill in their town stops time from flowing, trapping the citizens in an endless winter. With excellent visuals, as expected from MAPPA, the film tells an emotional tale centered around themes of familial love.

8 Belle Produced by Studio Chizu Belle is a visual delight, as expected from Studio Chizu, and is also perhaps the strangest adaptation of Beauty and the Beast to have ever been made. Set in an undisclosed time period resembling the current day, high school student Suzu is taken on a journey of self-discovery through virtual reality. The film begins slowly, and later quickly picks up pace when transitioning into its more musical, virtual-based sequences.

Related Broly Could Be the Key to Keeping Gohan Relevant in Dragon Ball Gohan has always had a habit of fading to the background in Dragon Ball. However, Broly may be the key to keeping him relevant to the story. Unlike future Demon Slayer seasons or films, Mugen Train never sacrifices storytelling for flashy animation or fight sequences, despite the film containing one of the better looking battles in the franchise. Rengoku's story is a poignant one, leaving a lasting impact on both casual and hardcore fans of the series. Proving itself to be a high-point of the series, Mugen Train is Demon Slayer at its very best.

3 The Boy and the Heron Produced by Studio Ghibli 2013's The Wind Rises, directed by Hayao Miyazaki, was stated to be his final film and acted somewhat as an allegory for the director's own creative experiences. Ten years later, however, he would return with The Boy and the Heron, a movie which dives even further into Miyazaki's life.

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