True Sci-Fi Should Be Closer to Horror

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True Sci-Fi Should Be Closer to Horror
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Ron Evangelista is a writer with a burning passion for cinema, and an unhealthy obsession with the Sergio Leone close up.

The Big Picture More often than not, science fiction is rooted in spectacle, leaving audiences in a state of awe and wonder. While it is par of the course to think that opening viewers to fantastic worlds is where the magic is, it might actually be "truer" to its spirit if it fleshes out its inherent sense of dread and fear. Going into the cosmos or imagining quasi-scientific experiences might be exciting, but the real essence of the genre arguably lies in its intrinsic horror.

Release Date December 16, 2016 Director Gareth Edwards Cast Felicity Jones , Diego Luna , Alan Tudyk , Donnie Yen , Wen Jiang , Ben Mendelsohn , Guy Henry , Forest Whitaker Runtime 133 minutes Writers Chris Weitz , Tony Gilroy , John Knoll , Gary Whitta , George Lucas What Is the Connection Between Science Fiction and Horror? The spirit of science fiction has been constantly evolving ever since the inception of the term in US pulp magazines in the 1920s.

Take Steven Spielberg's Close Encounters of the Third Kind, for instance. The entire premise of the film is predicated on the arrival and contact with extra-terrestrial life, which its protagonist, Roy Neary discovers has already been happening for years. At the outset, it is a terrifying premise, the kind that Close Encounters of the Third Kind hinged on for the majority of its runtime.

Related ‘2001: A Space Odyssey’ Ending Explained: “I Can Feel It. My Mind Is Going.” Stanley Kubrick's sci-fi masterpiece '2001: A Space Odyssey' remains one of his most confounding films, so let's explore what the ending means. Bringing Out the Inherent Horror in Science-Fiction Films Close Science, and the bending of time and space, offer a more visceral sense of horror because of the limitless possibilities it can bring to the table. Consider John Carpenter's The Thing.

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