Daisy Edgar-Jones and Glen Powell find love amid the flying debris orchestrated by ‘Minari’ director Lee Isaac Chung
The first surprise of Twisters is that it exists at all. On any list of things you didn’t know you needed, a place would surely await a reimagining of Twister, the 1996 disaster movie produced by Steven Spielberg that stalked Oklahoma with killer tornadoes. The second comes in the credits. Three decades ago, the director was action wild man Jan de Bont. Now the gig goes to Lee Isaac Chung, acclaimed for Minari , the gossamer tale of a Korean family in 1980s America.
Accordingly, he is only briefly allowed to act the heel, before we learn he is, in fact, a rodeo-trained Robin Hood, out to shield Oklahomans from devastation. Kate reappraises. Love blooms between the debris. The screenplay is by Mark L Smith, homaging the Hollywood science of the 1996 script co-written by the late Michael Crichton. Good-looking actors speak urgently of firing sodium polyacrylate into the vortex.
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