If this is indeed the farewell for this Marvel franchise, that might be a good thing.
film contains at least three antagonists, plus a fourth shadowy figure who shows up twice in a darkened room full of computers where he gives vague orders to bad guys for reasons the movie never explains. All of these characters are ill-defined, lacking in compelling motivations, and generally uninteresting. That’s, uh, kind of a problem.s have relied on Hardy and his eccentric alien “symbiote” to carry the load, mostly by bickering like mismatched partners in a buddy comedy.
Although Knull can’t escape the Void, his xenophages inexplicably can, so he sends them to find Venom. If that wasn’t a big enough problem for our symbiotic heroes, they also have to contend with an obsessive military man named Strickland , who works for a shadowy organization called “The Imperium” that operates in the desert beneath Area 51. The group’s main scientist , who naturally possesses a tragic backstory laden with unresolved personal trauma, wants to study the symbiotes.
The ongoing deal between Marvel and Sony to share the film rights to Spider-Man yielded three very good Tom Holland movies — and doomed pretty much all of Sony’s Spider-Man “spinoff” films to a pointless existence. Because Holland’s Peter Parker lives in the Marvel Cinematic Universe, he exist in the same universe as the likes of Venom, Morbius, and Madame Web, which leaves their films to subsist on the scraps of Marvel lore deemed too inconsequential to use in more important projects.
Why make a Venom movie if the character will never get to meet Spider-Man? Beyond the fact that it is sort of fun to see Tom Hardy act like a weirdo, I don’t think Sony ever came up with a satisfying answer to that question.) who pick up Eddie on his road trip while they’re on their way to sightsee at Area 51. When they get there, Ifans’ character does something that surely qualifies him as a nominee for the title of The Worst Father in Cinema History.
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