The audit states AISD could use a better data system, improve relationships with student parents and more.
Winnie the Pooh and Mickey Mouse have recently entered the public domain, making it possible for artists to use them freely.Mickey Mouse greets visitors at the entrance to Magic Kingdom Park at Walt Disney World Resort, April 18, 2022.LOS ANGELES — The giant stuffed bear, its face a twisted smile, lumbers across the screen. Menacing music swells. Shadows mask unknown threats. Christopher Robin begs for his life.
Classic characters, new stories, fresh mashups. Will it be all be a bonanza for makers? Are we entering a heyday of cross-generational collaboration or a plummet in intellectual property values as audiences get sick of seeing variations of the same old stories?Films from Hollywood’s early talkie era have started to become public.
“Like, ‘Winnie the Pooh Blood and Honey’ was was a novelty, made a bit of a splash, I guess. But if someone makes ‘Steamboat Willie’ a jet ski movie or something, who cares?” he says. “If there’s some great new idea behind it, maybe. But there’s nothing I’m looking at where I'm thinking, ‘Oh, my God, now that ’The Jazz Singer' is available, I’m going to redo that.'”
And while Shakespeare, Dickens and Austen have been public-domain gold mines at various times, other properties have proven more problematic. The forthcoming “ and Cynthia Erivo, will be yet another attempt at using the public-domain work of author Frank Baum’s Oz — filtered through a hit novel and Broadway show — to glom onto the classic status of the 1939 “Wizard of Oz” film.
He gives as an example binders full of fan-fiction biographies of the ghosts at Disney World's Haunted Mansion, maintained by the teens who work there, which he observed when working on a project with the company's so-called Imagineers.
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