‘Beautiful women. Suave leading men. Existential angst. Black and white figures in Parisian cafes. Cigarette smoke. Lots of it.’ A dismayed Geoffrey Macnab examines the fading interest in what was once one of cinema’s most influential movements
, she had what seemed like the absolute epitome of New Wave cool and charm. Reviewers then rhapsodised about her “grace and luminescence”.radiated.
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