Devil’s in the detail: Why is the film industry still so afraid of horror?
was nominated for Best Adapted Screenplay but didn’t win. While it was a landmark nod for the underrated genre, film critics were quick to caveat their praise with a dismissal of horror, summoning as many multi-hyphen terms as needed to avoid it. Penelope Gilliat, film critic forLos Angeles TimesVarietyis its own unique category of Goth new-Hollywood metropolis banality-of-evil nightmare.
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