Jerome Casio is a novice writer for Screen Rant. He studied journalism at El Camino College and was, at one point, the arts editor for The Union. He's returning to school in 2025, and he plans to graduate college with a literature or creative writing degree. He lives in Southern California with his three cats and German Shepherd.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Filmmaker George Miller explains why his Mad Max movies are dystopian. Miller began the franchise in 1979 with the Mel Gibson-led Mad Max, and he has since released three additional movies, the most recent being the Oscar-winning prequel Mad Max: Fury Road. In May, Miller will release another prequel, Furiosa starring Anya Taylor-Joy.
The idea was to make a film where, as Hitchcock says, 'They don't have to read the subtitles in Japan.' A film that relies entirely on visual. Nobody would finance the film, but we put together and attempted it. But it was almost impossible to do action sequences in the city in the modern day, on local streets with all those cars, and so on. The idea was to set it in a dystopian future simply because we could film it in empty streets and rundown buildings and so on .
Related Where Was The Original Mad Max Filmed? All Filming Locations Explained George Miller's Mad Max is a classic of the action genre, and Miller and company seized the state of Victoria, Australia, to make it memorable. The franchise’s 2015 critical and commercial hit, Mad Max: Fury Road, is the grand result of these benefits.
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