On the more austere tracks that start the album, Glenn Kotche’s drums are starkly foregrounded, sounding a military beat that deliberately evokes marching – a nod, Tweedy has suggested, to the authori
tarian direction US politics has taken. The effect often seems at odds with the sparse instrumentation – primarily acoustic guitar – that only just fleshes out his gentle songs. But the further intoyou get, the prettier the songs, the more generous the backing and the lighter the mood. There’s a real playfulness to Everyone Hides, while Love Is Everywhere and Hold Me Anyway are irresistibly upbeat.
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