It's highly unlikely that you have not heard of the Fujifilm X100VI. Similarly, you've probably seen some polarizing discourse around it.
. Similarly, you’ve probably seen some polarizing discourse around it. For some reason, it’s seemingly only appropriate to love this camera or dunk on it. There is no in between.
The X100V also had a small design touch of a red mark on the trigger to the left of the lens, which is plain silver on the X100VI. I miss the colorful accent. During the launch, a group of us asked the company why this was changed, and the response was along the lines of, “It was distracting.” Agree to disagree.Otherwise, the body feels basically identical to the X100V for better and worse.
Fujifilm’s menu really could use an overhaul. It’s certainly not the worst I’ve ever used, but it feels dated and archaic, and it’s not especially easy to find what you’re searching for. To me, there is not a compelling reason for Camera and IQ to have separate categories except to confuse me, and the position of options is not what I would consider intuitive. This is, unfortunately, not a new criticism though. Similar critiques have been levied against many of Fujifilm’s recent cameras.
While we did not have our traditional lens test chart, this very detailed wall was a suitable replacement.I loved having the crop-in capability of the X100VI’s 40-megapixel sensor and never once have I felt like any photo I captured was less than razor sharp. While it’s definitely a bit soft when wide open at f/2, like most lenses, it clears up quickly by stopping down and I am perfectly happy with the optical performance.
Motion is so easy to convey with the X100VI that found myself regularly flipping on the built-in neutral density filter in order to give myself the ability to use long exposures in the middle of the day. That’s just one more touch that makes the X100VI feel as small and portable as it is: you don’t need anything extra to make beautiful photos with this camera. It feels complete and truly all-in-one.
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