Gerard Butler's 'Phantom of the Opera' Actually Wasn't That Bad

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Gerard Butler's 'Phantom of the Opera' Actually Wasn't That Bad
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Rhianna Malas is a creative writer and essayist currently living in Melbourne, Australia. An RMIT alum, she has self produced a comic zine, and has written short stories and creative non-fiction pieces published in several independent magazines including RMIT Catalyst and The Bowen Street Press.

The Big Picture Ah, yes, everyone's favorite or least favorite musical movie. A film that you can ask someone about, and they will either sing its praises with fond nostalgia or go on an hour-long rant about how it's the greatest misuse of a stage production of all time. The Joel Schumacher-directed The Phantom of the Opera is by far not the worst adaptation of Gaston Leroux's novel, those who have seen the 1998 Dario Argento film can verify, but it sure isn't the best.

Phantom of the Opera PG-13DramaRomanceMusical A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opéra House. Let's get the complaints out of the way. No, Butler was not a classically trained singer, and his performance is at times mentioned in the same category as Pierce Brosman in Mamma Mia and Russell Crowe in Les Misérables. He wasn't awful, but a character like the Phantom needs to be more than not awful, being one of the most enduring and iconic roles in all of musical theater. The deformity that condemned him to a life of violence and seclusion looked more like a bad rash.

This role makes so much sense when you learn that it was his performance in Dracula 2000 that drew Schumacher's eye, playing a darkly brooding, revenge-driven monster. Singing aside, which really was just fine, where Butler shines is in the acting performance of The Phantom. He almost works in spite of the emotionally clumsy direction, and the whole Mills & Boon vibe the movie had.

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