“My stroke had come out of the blue – and, we would ultimately learn, was not attributable to any specific cause,” writes Hamish Bowles of the stroke that changed his life.
Life was very crowded in late October 2022. I had managed to meet a tight deadline to finalise the catalogue accompanying India in Fashion, an exhibition that I curated celebrating the lure that the country has had on western designers that would go on to open the Nita Mukesh Ambani Cultural Centre in Mumbai the following year. I was swept up in La Bohème at the Royal Opera House; I relished a second foray to Only an Octave Apart at Wilton’s Music Hall.
I recall one early meeting with Anna, agreeing on the photo that would ultimately run on the cover of February 2023, that of an Uzbek merchant’s hall, with an article by Marie-France Boyer, headlined “Return to Splendour”. A critical step in my continued recovery was being able to pass a “swallow test”, which would, in turn, permit the removal of the tubing taped to my face .
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