Kendall Roy might not have the sharpest one-liners or the most enviable pantsuits, but he provides the drama the entire show hinges on 🖋️ emilyrbakes for ipaperviews Succession
. It’s right there in his name, an indication of his father’s ownership, and despite his funny ways of showing it, love. The four seasons of Jesse Armstrong’s masterpiece have depended on Kendall’s emotional state, which has swung, as reliably as a pendulum, from maniacally happy to suicidal to subservient apathy and all the way back.
He was the first sibling we met in episode one, punching the back of the seat, rapping along to the Beastie Boys’ “An Open Letter to NYC” and hyping himself up ahead of a huge business deal. This is a high-flyer in corporate America, we were led to believe, someone so important that he only has time to take one drag of his cigarette before squashing it to the floor.
Kendall might not have the sharpest one-liners , or the most enviable pantsuits , but he is the emotional core of. Without his guilty conscience and hilarious hubris , the show would be a parade of unbearable dolts with very little to redeem them.
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