Personal Perspective: Observing others is both alienating and the only way to create character.

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Personal Perspective: Observing others is both alienating and the only way to create character.
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Personal Perspective: Is imposter syndrome an occupational hazard for writers who must accurately observe others in order to create believable characters?

The obsession with "cultural appropriation" subverts a key tool in creative writing.Source: Copyright Fumiste Studios, used by permission

This is no casual thing. Sometimes, when writing from a character's point of view in a café, I have noticed people staring, and realized my body was enacting the movements my character was making in the story, leaning in to argue, falling back to dodge a blow; that's how deeply I was inhabiting the person in question. In my novels, I have been a working-class Cape Cod fisherman and a bourgeois French war reporter.

This is why the current fad against"cultural appropriation" is a frontal attack on the novelist's profession, which is to switch identities as fully as we are capable of no matter what the fictional character's background might be. Comparing differences in personal character between two almost infinitely complex human minds, as opposed to contrasting cultural or gender-based dissimilarities between people, feels like comparing the Grand Canyon to a storm drain.

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